Genre-blending guitar solos and a packed house, Steve Lacy wipes the stage at Roadrunner – The Daily Free Press

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Steve Lacy pointing the microphone at the crowd. On October 10, Lacy performed at Roadrunner in Boston. SAM BETSKO/DFP STAFF

Two floors completely filled with people watching the scene, waiting impatiently. The crowd collectively held their breath as a crew member fixed the mic. The lights began to gradually fade, parts of the stage began to light up, and an artificial fog slowly rolled over the stage. The crowd erupted in shouts when a figure appeared on stage.

From rows of floor-to-ceiling speakers, a familiar chord echoes throughout the room – Steve Lacy enters through the fog.

On Monday, Lacy performed at Roadrunner as part of his “Give You The World” tour. Fousheé, a vocalist featured on the song “Sunshine” from Lacy’s recent album “Gemini Rights,” opened the show.

Fousheé is an R&B and soul artist but in this performance she was a real rock star. Unexpectedly, Fousheé performed metal versions of his popular songs “Deep End” and “Paper Plane” as well as a number of previously unreleased songs. Fousheé’s performance highlighted his incredible versatility as a performer. His performance was reminiscent of the grunge and rock styles of Evanescence or Halestorm. Fousheé’s set ended with a metal rendition of his song “Candy Grapes”.

After what felt like an eternity between sets, the crowd was energetically eager to hear Lacy. The first song on the setlist was “Buttons”, a perfect debut for Lacy’s extraordinary performance. The song started with a dramatic intro and was amplified by the ten strategically placed subwoofers in the room. As the song’s ending soared, there was a quick transition to one of Lacy’s most popular songs, “Mercury.”

“Mercury” is the third song from “Gemini Rights” and was originally released as a single before the album was released. The song is unique from the others performed at the concert as it draws inspiration from several different genres. It begins with a Bossa Nova beat, which is rare for a popular artist like Lacy to use in his music. The change was further exemplified by Lacy’s choice to play the song on an acoustic guitar rather than the electric guitar that Bossa Nova is usually accompanied by.

The widespread success of a song like “Mercury” highlights Lacy’s genre-bending abilities and his music’s ability to transcend the rules set by genre and style.

Lacy then started playing songs from his previous album “Apollo XXI”. Fan favorites like “Only If”, “N Side” and “Playground” played as the crowd danced and sang along.

“Lay Me Down”, however, was the most notable performance among the “Apollo XXI” songs by a landslide.

Lacy showed off his guitar skills during his performance of “Lay Me Down.” On the album, the song is a groovy, laid-back song, but during the gig, Lacy had a guitar solo that lasted a few minutes as he walked the entirety of the stage. He took a very laid back song and turned it into a rock version that completely exceeded my expectations.

Lacy’s performance was not only entertaining due to his sheer musical talent, but his personality could also be seen between songs as he spoke with the crowd. His humility combined with his humor made the overall concert experience feel like an intimate show.

During the encore, Lacy played two songs that led to her initial discovery by many longtime fans, “CU Girl” and “Dark Red”. The nostalgia and passion Lacy brought to the last two songs, coupled with the singing of the crowd, made the encore the most memorable part of the night. Lacy’s genius as an entirely self-produced artist was evident when the curtains closed and the lights came on again.

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