All 90s Subgenres: Lauran Hibberd’s Debut Is On The Way | gigwise

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“I’m just chilling on Monday night!” Curled up in a colorful fleece and tackling poor Wi-Fi with the kind of cheerful Zoom etiquette we all wish we had, Lauran Hibberd is having the best time. As her dog comes to interrupt our conversation, the subject of her newly recorded debut fills her face with a smile: “I’m my biggest fan right now,” she says, without an ounce of ego or arrogance. , just pure excitement.

The complete embodiment of her music, Lauran’s humorous lyricism suddenly comes into its own, seeing her laugh away from her living room on the Isle of Wight. Coming straight from the end of her debut recording and heading into another exciting year as she tops several Ones to Watch lists, we caught up to reflect on her debut and predict the future. .

…before that, however, his Wi-Fi freezes again – “Yeah, the Isle of Wight isn’t exactly an internet hotspot,” she laughs, just as he returns. But while the island may compromise its connectivity, it gives it a lot of credit. “I certainly wasn’t brought up around music. Even though my mom loves music, she just listens to the Dirty Dancing soundtrack; so she never really said ‘Oh my god, that 90s grunge wave was sick’. It was really my own discovery in terms of music research. And I think the Isle of Wight has helped me with that because there’s a distinct lack of things to do. Having visited the island, I can attest to that. Made up of a few seashores, a scattering of villages, a garlic farm and not much else, it’s not really a cultural hotspot. “It’s a nice place to grow up, but as a young person, especially with a creative interest, it lacks opportunities, so we sort of take ownership.” Referring to bands like Wet Leg and Coach Party, as well as the recent wave of Isle of Wight artists who have established themselves on the mainland: “There is a very large circle of people here who do cool things and use being from the Isle of Wight as an advantage and not a hindrance,” she says. “I think we should buy a ferry company and do tours of the island of Wight, playing for the people who come and go from Southampton.”

But while the island was a challenge for a younger Lauran, the pandemic found her thanking her hometown, adding it to the list of things to be grateful for when she released her debut. “There’s a lot of space here, there’s a lot of time, the pace is slower. I lived in London for a little while and it’s a totally different life. Writing and drawing inspiration at a slow pace is a creative advantage: you can reach stranger places in your mind through boredom. By locking himself at home, the chance to return to old habits was invaluable. Having previously spoken of how she wrote two songs a week in her bedroom, the ability to return to the scheme was an exercise in growth and reconnection. “I used to just regurgitate songs, they weren’t all good, like 1 out of 12 was fine, but I got to a point where I could produce them,” she laughed, ” I used to have a countdown on my door like “I’ve written 80 songs now. I think that was a good technique. I got rid of a lot of junk, quickly. acts less numbers now, more quality and time.

“I was young and I thought I knew everything like, ‘oh, I’ve been writing two songs a day since I was 14, so I think you’ll find there’s nothing you can teach me,'” she explains, speaking of the change in her. treat. “Then I started writing with friends and getting into bands, and when I stopped thinking that I was the only person in the world writing songs and inviting other people, I realized that it was a very collaborative process, and that I was on this hamster wheel writing songs in my bedroom is not going to elevate me Do I want to make an album based on the techniques that I used at 15? Not at all.”

But the old days, doodling in her bedroom, are always remembered with nothing but sweetness. Recalling when the music bug first started to set in, Lauran describes the classic scene of guitar lessons in the living room with a local guy her mom knew and instantly falling in love with. “When I was in high school, I was trying to find my thing. I knew it wasn’t going to be sixth grade or college, and my mom really encouraged me to go do something a little more crazy.” Addicted from the start, she said, “As soon as I could play a song, I was like, ‘Oh my God, this is the best thing ever’ and then I started writing songs. songs”.

“I think that’s when I caught the bug – when I started taking guitar lessons and using it for the benefit of my songwriting and it became a whole thing. That wasn’t like I was singing in my room to my mom, I was singing a song I wrote in my room to my mom…”

Now surrounded by a strong team of collaborators and her own group that extends beyond her and her mother, her debut was recorded in the best possible way at the perfect time for her. “When you find the right person, everything is worth it,” she says, gushing about her producer. “I made the record with Larry Hibbitt, and as soon as I met him, I knew he had understood: from the first sentence he uttered, I had made my decision. Coming out of the pandemic, you forget what it’s like to have that feeling: you can’t really get it over the phone. »

But on stage, she attributes a change to a transcontinental friendship. Speaking about her collaboration with Lydia Night of The Regrettes and their 2019 tour, she credits the experience for her recent confidence boost on stage. “I think Lydia subconsciously taught me how to perform. Before that, I was like, ‘Oh, I’m going to stay here with my electric guitar and I’ll play these songs and then I’ll leave’, and Lydia was able to get people dancing. who probably didn’t even want to be there. It’s a real craft.” Seeing a shift in his performance personality post-pandemic, Lauran’s act is reinvigorated with the help of his band and a bit of existentialism – “If the worlds stop again, I have to make sure I give it my all.”

Although her process and performance have changed, Lauran Hibberd’s world remains new. Combining his small-town beginnings with a love for Lizzo and a kinship for American suburban slacker rock, his sound is an amalgamation of tracks you’d never think had to go together, all tied together in a fun sequence. “When I was growing up, like every teenage girl in the world, I was obsessed with Avril Lavigne. And I still am. But when it comes to songwriting, I learned so much from Weezer: I loved the how they could make me laugh. Reminiscing about childhood nights when the music bug started to set in: “You grow up watching X Factor where people sing a song and then they cry, and that’s cool but I think there’s something to make people laugh.”

As something that has always remained in his songwriting, Lauran’s music sounds like the inner voice of a coming-of-age protagonist. Singing about wanting an older man and accepting that you won’t have a dog with your dead teenage boyfriend is all done with a sneer and a light touch. “I’m very deviant, you know, if something awful happens I’ll make a very dry joke about it and make everyone uncomfortable as my way of handling things. And that carries over to my songwriting.” As a trait that keeps her connected to her younger self, doodling in her bedroom, she concludes: “I write about the same things from a more mature point of view, being aware of who I am rather than try to change it.”

“I guess as soon as I start getting wrinkles, I’ll have to drop all this irony about old men being sexy stuff,” she laughs as I ask her to predict the future. Having barely finished recording her debut album, Lauran already has a solid vision for the future, thinking about what she thinks she will sound like on three albums in the future. “Most of what I sing is about borderline youthful naivety, so I want to get more angsty as I get older. I would like to take a PJ Harvey turn.”

Referencing major women in rock as she discusses visions and hopes for the future, she says “everywhere I look there’s a powerful woman holding a guitar, and that makes my childhood very happy.” . Bonding with peers across oceans and making music in a time when women dominate rock categories in award shows, and girls with guitars seem to have a monopoly on electric angst, Lauran and his Isle of Wight mates are some of the most exciting of them as the tiny isle provides some of the hottest names in new wave, punky sounds—”it’s a very good time to be a woman in rock music.

With an incredibly impressive back catalog behind her and a lifetime of songs created in her bedroom, Lauran’s debut is anticipated before it even has a name. “I cringe at an outfit I wore yesterday. My worst trait is that I get over things so quickly,” she explains, telling me about the unexpected challenges of recording her first full-length piece over the past few years. “So I needed to do the album in parts to make sure I liked it a bit longer. Recorded in two sections over a few months, she’s shocked to still love what she “It’s like an amalgamation of my career so far, on crack,” she explains when I ask for a tease, “I kept things close to my chest, and people will be pleasantly shocked.” Extending her usual 90s grunge playlists, she references hip-hop, pop queens and favorites in slow, sad angst. The record in three words? “All the pennies -90s genres (never)… that’s three words if you say it really fast…”

Ending our conversation by going back to the beginning, she says: “Once you’ve exhausted all the other things there is to do on the Isle of Wight, I think becoming a musician and starting a band is ultimately a really good thing.” right decision.” Full of enthusiasm not only for her own career, but also for the current Isle of Wight Golden Age that we see; she predicts great things for even more of her local friends. One for us to watch? “The Pill is three girls playing trashy punk music. They’re awesome.”

Looking forward to another year of touring and embracing her new persona on stage, she tells me about big plans for tours, festivals and even a pub quiz to celebrate the birth of her debut: “I love the idea of ​​being in dodgy local pubs offering a little quiz.” These ideas of a good time perfectly encapsulate Lauran’s space in the scene, taking her down-to-earth attitude and light-weather origins and using it to add something so charming to his always thrilling rise to the top of our radar.

Garageband Superstar arrives June 19.


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