9 movies from the 80s that need a remake


The 80s were a turning point for Hollywood in many ways. High concept fiction began to emerge for the first time, introducing audiences to a range of compelling storytelling possibilities. This decade saw the rise of ultra-popular films like The Empire Strikes Back (1980) and aliens (1986), refining the blockbuster framework established in the 1970s.

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80s cinema incorporates a wide range of genres, including thriller, horror, fantasy, drama, comedy, bildungsroman, action, and animation. Some of them have already been remade and rebooted with varying degrees of success, while others are still in production limbo. That said, there are more than a few movies from the 80s that deserve 21st century remakes.

9 Akira (1988) is a precursor to the anime medium and the cyberpunk genre

As a precursor to the anime medium and the cyberpunk genre, Akira is generally considered one of the best films ever made. The Washington Post‘s Richard Harrison praised the film’s exhilarating pace, writing that the story “moves with such kinetic energy that [the audience will] be suspended for dear life.”

AkiraThe kaleidoscopic visual aesthetic of looks like something out of a fever dream, a hallucinatory sequence of flesh and metal that illuminates the murky depths of the human condition. A remake wouldn’t necessarily be animated, and Warner Bros. planned a live action Akira adaptation for some time now.

8 A Christmas Story (1983) was praised for its good-natured mood and wholesome themes

by Bob Clark A Christmas Story, starring Peter Billingsley as the endearing Ralphie Parker, is often ranked among the greatest Christmas-themed movies of all time. The film received universal praise for its good-natured vibe, wholesome themes, and relatable characters.

A Christmas story earned more than twenty times its production budget from the box office as well as regular television airings. Critic Roger Ebert lamented that “A Christmas Story saves a world that no longer quite exists in America”, so a remake should incorporate 21st century elements into the narrative.

seven The central subject of Working Girl (1988) is as relevant today as it was in the 80s

Sigourney Weaver and Melanie Griffith are the two central characters of A hard worker, a film that refuses to tiptoe into sensitive subjects such as gender equality in the workplace. Rotten Tomatoes Critical Consensus Calls A hard worker “a dynamic corporate Cinderella story”, alluding to its superbly crafted plot and straightforward mode of expression.

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A hard worker talked about the “glass ceiling” long before the metaphor became part of the cultural conversation. This film is arguably one of the easiest to remake, as its central subject matter is as relevant today as it was in the 1980s.

The breakfast club set the benchmark for coming-of-age narratives in Hollywood, influencing countless movies and TV shows. Its iconic cast includes Molly Ringwald, Paul Gleason, Emilio Estevez, Judd Nelson and Anthony Michael Hall, whose memorable performances have made them a fixture of pop culture.

New York Daily News‘ Kathleen Carroll has praised John Hughes’ directorial vision, saying he “has a wonderful gift for communicating teenage feelings”. Remake The breakfast club in the post-covid era is an interesting prospect, especially as social media and smartphones enter the equation.

5 A Raising Arizona (1987) Remake starring Steven Yeun and Tiffany Haddish

Raising Arizona is a playful comedy with a surreal narrative, backed by performances from Nicolas Cage and Holly Hunter. Time The magazine’s Richard Corliss praised the Coen brothers for penning “a plot that continues to defy expectations”. The criminal protagonists of Raising Arizona aren’t really bad people, they just want kids so badly they’re willing to kidnap one.

Raising Arizona embodies the singularly eccentric sense of humor seen in the Coen brothers’ later offerings, such as O brother, where are you? (2000) and The great Lebowski (1998). A remake of this classic ’80s gem would require the perfect replacements for Cage and Hunter, ideally Steven Yeun and Tiffany Haddish.

4 A remake could resolve problematic elements of Weird Science (1985)

weird science captivated both audiences and critics when it was first released, though several aspects of the story have not aged well at all. In a review for The New York TimesJanet Maslin criticized weird scienceThe childish premise of , stating that “the film’s complacency is intense enough to be alarming”.

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Kelly LeBrock’s performance as Lisa, a digitally created supermodel genius, is the high point of an otherwise ridiculous film. There were whispers of a weird science remake since 2013, but it’s currently unclear if Universal Studios actually plans to move the idea forward.

3 Stand By Me (1986) is heavily saturated in 80s nostalgia

Adapted from Stephen King The body (1982), support me is a touching story of four boys and their decidedly morbid rite of passage. The film earned mixed initial reviews, although critical opinion has steadily improved over the past few decades. Stephen King was delighted with Rob Reiner’s adaptation, calling it “the best movie ever made from anything”. [he’s] writing.”

The nostalgic atmosphere of Netflix stranger things owes a lot to support mesmall town dynamics. Hawkins, Indiana is not much different from Castle Rock, Oregon. That said, remaking a movie saturated with ’80s nostalgia is likely going to be a tough climb.

2 Beetlejuice (1988) depends entirely on the actors’ on-screen chemistry

by Tom Burton beetle juice is a radiant mix of comedy, horror, fantasy, romance and drama, a cross-genre amalgamation that gets weirder and weirder as the plot progresses. This film is entirely dependent on the on-screen chemistry shared by Alec Baldwin, Geena Davis, Catherine O’Hara, Winona Ryder, Jeffrey Jones, and Michael Keaton.

This combustible comic combination is going to be extremely difficult to replicate with 21st century actors, even though there are actors who fit each individual role. Michael Keaton’s portrayal of the eponymous character was widely praised, with critic Pauline Kael likening “his uninhibited comedic performance” to “an exploding head”.

1 A remake of Dead Poets Society (1989) could work with the right setting and time period

Dead Poets Society it all depends on the character of Robin Williams, a risky strategy that ends up paying off. Pauline Kael described Williams’ “performance [as] more graceful than anything he has done before”, an opinion reiterated by retrospective reviewers. The film was a huge box office triumph, earning $236 million on a budget of $16 million.

Dead Poets Society was nominated for multiple Oscars, winning Best Original Screenplay. A remake could work with the right setting and timeframe, though it might need to tone down the melodrama a bit.

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