10 Iconic But Weird Animated Movies That Make You Wonder How They Got Greenlit



The world of cinema is a fierce battlefield of concessions. For every movie that hits theaters, there are dozens that never make it past the pitching stage, and fewer still make it to the screen without excessive edits. This is especially true in the realm of animation, where changes to the script may require the removal and redesign of entire segments and characters.

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As new films are produced and sensibilities change, many older films can make one wonder how they were accepted while so many others are rejected. That’s to say nothing of their quality: good or bad movies can still leave audiences wondering what got rejected for those.


‘Fritz the Cat’ (1972)

Legendary animator Ralph BakchiThe first film by adapts the comic book of the same name by Robert Crumb. It features the titular cat as he navigates his way through the world of ’60s counterculture and finds himself wrapped up in drugs, violence, and lots of sex. For this, it became the first animated film to be rated X.

Although the film’s pacing is very wonky, it still provides a fascinating window into the disillusionment of the American people in the ’60s. could never be done today. However, it also does Fritz the cat oddly unique and sets the tone for Bakshi’s future works.

“Raggedy Ann and Andy: A Musical Adventure” (1977)

A girl named Marcella receives a biscuit doll named Babette as a birthday present. When she leaves, the rest of the toys in her nursery try to welcome her, but a snow globe pirate captain kidnaps her and leaves. Not wanting Marcella to be sad, her favorite doll, Raggedy Ann, and her brother Andy set off to rescue Babette.

The film is directed by Richard Williams, hosted by some of the best animators of the time, and features songs fromsesame street composer Joe Raposo. Unfortunately, all that talent can’t save the film from being a mess with a giddy plot and some of the weirdest visuals seen in a kids’ movie. To date, the film has never seen a home video release, but is available in its entirety online.

“The Wizards” (1977)

Two brothers are born in a dystopian future that sees the return of magic. Both were born with magical talents, but one brother, Avatar, uses his for good, while the other, Blackwood, dabbles in technology for power. One day, Blackwood discovers the old Natzi propaganda, which inspires his followers, enabling him to wage a war of conquest.

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Bakshi wanted this movie to be a family shot, but it’s hard to imagine that since it retains its usual level of risque female cartoons and animated gore. It remains one of his strongest works thanks to its unique style, commentary on WWII and the dangers of technology, and some legitimately funny moments. It is also remarkable that the beginning of Marc Hamilit isillustrious career as a voice actor.

The 1980s were an interesting time for dark and risque media. One of the best examples is heavy metal, an adaptation of the science-fiction-fantasy magazine of the same name. With the framing device of a small green orb that pretends to be the sum of all evils, the film shows multiple stories with lots of violence, sex, and rock songs.

Each segment was made simultaneously by different studios, resulting in an interesting mix of animation styles. Unfortunately, the writing isn’t the best, and while the sex scenes are a little shocking, the world of adult animation has come a long way. The dubbing still holds, especially Jon Candy like the nerdy Den turned Adonis.

“Felix the Cat: The Movie” (1989)

Princess Oriana, the ruler of the land of Oriana, has been captured by her evil uncle, the Duke of Zill. When taken away, she sheds a magical tear, which activates an interfaith machine that sends her to another world in search of a hero. The one he finds is Felix, a talking cat with a magic bag of tricks.

This film was a labor of love by Don Oriolowhose father, Joe Oriolocreated on 1958 Felix the cat TV series. Unfortunately, it’s poorly put together, with atrocious animation, sound editing that drowns out important dialogue, and some very odd humor choices in a children’s movie. It’s hard to imagine the audience supporting Felix when one of the opening scenes has him laughing his ass off.

“Baby’s Children” (1992)

Based on the stand-up comedy by Robin Harris, an animated version of Robin tells his misfortunes to a blind bartender. It starts well: he meets a woman at a funeral, and she offers Robin to come with her and her son to an amusement park. On the day of the date, Robin is devastated to learn that the woman has brought her friend’s three disruptive children, who set out to destroy everything they touch.

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baby children is the first animated film to feature a predominantly black cast, and many of the people who worked on it would The proud family for Disney. Sadly, the movie couldn’t use that flair: it’s a confusing mix of unlikable characters, cartoonish hijinx, and dated stand-up. Even its NES tie-in game is labeled as one of the worst ever made.

“Cool World” (1992)

Bakshi’s Last Theatrical Film Stars brad pitt as a WWII soldier who finds himself transported to a vivid cartoon world called Cool World. Years later, a cartoonist played by Gabriel Byrne is also released from prison and drawn into Cool World. There he falls in love with a cartoon named Holli Will, who wants to become human by any means necessary.

Although it looks like a cash grab Who Framed Roger Rabbit, Bakshi came up with the idea himself and pitched it as a comedy horror movie. Unfortunately, Paramount Pictures stepped in and toned it down for the general public. The result is a mess with poorly integrated live action and hand-drawn animation, crazy animation and rules invented on the fly.

‘Freddie as FR0.7’ (1992)

In medieval France, a young prince named Fredrick is turned into a frog by his aunt, who killed his father, to kill him to reclaim his throne. He is saved by the Loch Ness Monster and becomes an immortal human-sized frog thanks to his magical powers. Nowadays, he becomes a secret agent in charge of helping the British to recover the stolen national monuments.

Director Jon Acevsk based the film on stories he used to tell his son, and it shows. The story and animation quality both feel like something out of a child’s imagination, but also include a song featuring dancing Nazis and Klansmen. At least it has a good cast, including Ben Kingley and Blessed Brian.

“The Magical Journey” (1992)

This German account of the history of Christopher Colombus takes some liberties with the story. Instead of wanting to find a faster trade route to India, he sails west to prove the world is round, thanks to the inspiration of a woodworm. This woodworm also wants to save his fairy girlfriend, who has been kidnapped by an evil living swarm.

The film was released to capitalize on the 500th anniversary of Columbus’s voyage, but is mired in obscurity despite two American dubs. This is due to cheap animation and those creative liberties, which make it look like someone has combined the plot of three different movies into one. The Hemdale Film Corporation dub played at least Dom DeLouise, who does his best as the voice of Columbus.

“Titanic: The Legend Continues” (2000)

As the RMS Titanic prepares for its maiden voyage, a number of characters prepare to board. These include a young woman and her evil in-laws, a jewel thief and her clumsy henchman, and a detective dressed as Sherlock Holmes. Its non-human passengers include Mexican mice that are racist caricatures, a kleptomaniac magpie, and a rapping dog.

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Titanic: the legend continues has appeared on several worst movie ever made lists for good reason. In addition to scamming Disney and Don Bluth for its characters, the fact that it tells a light-hearted version of such a real-world tragedy disrespects those who lost their lives. Surprisingly, it’s not even the first Titanic animated film to come from Italy: it’s the years 1999 The Legend of the Titanic.

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