If you’re an artist, you tend to take rock and roll a bit more seriously than most. It’s not the sort of thing that is just disposable material that people can dance on at the club. Music is meant to mean more than a handful of chords, and it was the real artists who were able to leave their expression on the tape.
It also isn’t limited to the vinyl era of the rock scene. In rock music, it almost feels like a rite of passage for you to try and write a concept album at some point, ditching the usual songs about girls and drugs and becoming something a lot. more surreal. While some of these tracks tend to play a bit fast and loose with the roles of what makes up a concept album, the real beauty is in the eye of the beholder, with the songs tied to a central theme rather than your own. medium. linear story throughout.
Especially when you listen to these things on headphones, it’s not just your average rock albums that have a bang every turn. These musicians seek to create their own worlds with the sound here, and many rock fans are fortunate enough to have visited these worlds every time they push play to the record.
After being the rock and roll villain for the first decade of his career, Alice Cooper was actually in much more danger than the genre he was singing about. Once Muscle of Love didn’t really check in with the audience, everyone in the band except Alice decided it was time to leave the band, leaving Vincent Furnier alone as the last man. upright. Instead of just slipping into the dark, our favorite madman took the gamble and gave us an album straight out of a horror show.
For anyone interested in shock rock even from afar, Welcome to My Nightmare is pretty much zero, showing off all of the genre’s major characteristics. While the music today is still the traditional hard rock sounds that most people are familiar with, there is a lot more theatricality to the arrangements here, with the title song sounding like a Vegas show and even appealing to the horror icon Vincent Price for Devil’s Food.
While there is no lyrical connection in either of these songs, the back half of the record captures you in a certain vibe, especially when the song Stephen kicks in and we see this vision of a little boy come to life. invade by a demon from the inside out. Because if there’s one thing we’ve learned from Alice’s music, it’s that you have to look at the dark to appreciate the light.